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Salvadorans in Costa Rica: Displaced Lives, by Bridget Hayden

During the political and economic upheaval that swept El Salvador in the 1980s, as many as 20,000 Salvadorans took refuge in Costa Rica. Despite similarities between the countries, most Salvadorans experienced El Salvador and Costa Rica as very different places; yet some 6,000 chose to remain after the violence in their country ended, re-establishing their lives successfully enough that they claimed that they now "felt Costa Rican." Bridget Hayden examines the ways in which these people integrated into Costa Rican society and the ambiguous sense of identity they developed, exploring their experience of the process and the cultural concepts they used to interpret those experiences.

Salvadorans in Costa Rica: Displaced Lives introduces readers to people from a wide range of class and educational backgrounds who had come to Costa Rica from all over El Salvador. All shared the experience of having become refugees and having settled in a new country under the same circumstances, and when the war in their own country ended, they shared a concern about the issues involved in deciding whether to return there. Their diversity allows Hayden to examine the ways in which the language of national identity played out in different contexts and sometimes contradictory ways.

Drawing on contemporary theories of migration and space, Hayden identifies the discourses, narratives, and concepts that Salvadorans in Costa Rica had in common and then analyzes the ways in which their experiences and their uses of those discourses varied. She focuses on key spatial concepts that Salvadorans used in talking about displacement and re-emplacement in order to show how they constructed the experience of settlement and how such variables as gender and age influenced their experiences. Because "nationality" was an idiom they used to relate their experiences, she pays particular attention to the role of national belonging and national difference—in terms of both the ways in which the Salvadorans were received by Costa Ricans and their reactions to their new lives in Costa Rica. A concluding chapter compares them with Salvadorans who emigrated to other countries.

The story of these displaced Salvadorans, focusing on the lives of real people, can give us a new understanding of how individuals feel a sense of belonging to a sociocultural space. By exploring many meanings of the nation and national belonging for different people under varying conditions, Hayden's study provides fresh insights into the dynamics of migration, gender, and nationalism.

  • Sales Rank: #3682086 in Books
  • Brand: Brand: University of Arizona Press
  • Published on: 2003-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, 1.00 pounds
  • Binding: Hardcover
  • 179 pages
Features
  • Used Book in Good Condition

Review
"The insights from this richly textured study will undoubtedly enhance our understanding of refugee settlement, national identity, and of migration more broadly." —Contemporary Sociology"Hayden commits us to take seriously the pain of exclusion and the difficulties of lives that have been split in half." —Journal of Anthropological Research

From the Inside Flap
During the political and economic upheaval that swept El Salvador in the 1980s, as many as 20,000 Salvadorans took refuge in Costa Rica. Despite similarities between the countries, most Salvadorans experienced El Salvador and Costa Rica as very different places; yet some 6,000 chose to remain after the violence in their country ended, re-establishing their lives successfully enough that they claimed that they now "felt Costa Rican." Bridget Hayden examines the ways in which these people integrated into Costa Rican society and the ambiguous sense of identity they developed, exploring their experience of the process and the cultural concepts they used to interpret those experiences.

"Salvadorans in Costa Rica: Displaced Lives" introduces readers to people from a wide range of class and educational backgrounds who had come to Costa Rica from all over El Salvador. All shared the experience of having become refugees and having settled in a new country under the same circumstances, and when the war in their own country ended, they shared a concern about the issues involved in deciding whether to return there. Their diversity allows Hayden to examine the ways in which the language of national identity played out in different contexts and sometimes contradictory ways.

Drawing on contemporary theories of migration and space, Hayden identifies the discourses, narratives, and concepts that Salvadorans in Costa Rica had in common and then analyzes the ways in which their experiences and their uses of those discourses varied. She focuses on key spatial concepts that Salvadorans used in talking about displacement and re-emplacement in order to show how they constructed the experience ofsettlement and how such variables as gender and age influenced their experiences. Because "nationality" was an idiom they used to relate their experiences, she pays particular attention to the role of national belonging and national difference--in terms of both the ways in which the Salvadorans were received by Costa Ricans and their reactions to their new lives in Costa Rica. A concluding chapter compares them with Salvadorans who emigrated to other countries.

The story of these displaced Salvadorans, focusing on the lives of real people, can give us a new understanding of how individuals feel a sense of belonging to a sociocultural space. By exploring many meanings of the nation and national belonging for different people under varying conditions, Hayden's study provides fresh insights into the dynamics of migration, gender, and nationalism.

From the Back Cover
"Refugees are, in the terms of traditional migration studies, sojourners who will repatriate as soon as possible. This is a logical consequence of the way in which they are defined as people who leave their country involuntarily, in contrast to other migrants who leave of their own volition. Forced to leave, they are expected to always retain their orientation, hopes, and dreams in their country of origin while the country in which they live in the interim is no more than a temporary haven. . . .

"The case I present contradicts the expectation that refugees necessarily repatriate, although Salvadorans did retain an expectation for many years that they would repatriate. It does largely conform to the situation described by the bipolar interpretation of migration in which some migrants eventually settle and lose their orientation to the country of origin. However, it does so not because this was the inevitable outcome, as some interpretations of migration suggest, but because a particular configuration of political, economic, social, and ideological conditions encouraged it." --Bridget Hayden

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Fourth Edition of Plant Systematics reflects changes in the circumscription of many orders and families to represent monophyletic groups, following the most recent classification of the Angiosperm Phylogeny Group.

  • Sales Rank: #527321 in Books
  • Published on: 2015-11-05
  • Original language: English
  • Dimensions: 10.75" h x 8.50" w x 1.00" l, 3.68 pounds
  • Binding: Hardcover
  • 677 pages

About the Author
Walter S. Judd is a Professor in the Department of Biology at the University of Florida. Christopher S. Campbell is a Professor of Plant Systematics in the School of Biology and Ecology at the University of Maine. Elizabeth A. Kellogg is the E. Desmond Lee Professor in the Department of Biology at the University of Missouri, St. Louis. Peter F. Stevens is a Professor in the Department of Biology at the University of Missouri, St. Louis and Curator of the Missouri Botanical Garden. Michael J. Donoghue is the G. Evelyn Hutchinson Professor in the Department of Ecology and Evolutionary Biology at Yale University.

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Located on the Temple Mount in Jerusalem, the Dome of the Rock was constructed at the end of the seventh century by order of caliph 'Abd al-Malik. This seminal structure has been much studied but no definitive interpretation yet exists of the meanings conveyed by the Dome at the time of its completion. The recovery of meaning is complicated by the paucity of primary written sources relating to the construction phases of the building and the motivations of its patron. This book concentrates on the most important surviving primary text, the long mosaic inscription running around the interior. Comprising a dedication and date (72/691-92) and material of a religious nature, the mosaic inscription provides vital evidence for the reconstruction of the meanings and functions of the Dome of the Rock. The detailed study of the mosaics helps to place them in the context of Late Antique monumental writing, particularly in Greek. The book makes use of contemporary Islamic coins, graffiti, and other inscribed objects in order to examine the Dome of the Rock in the relation to the ideological concerns of the Umayyad elite during and after the second Civil War.

  • Sales Rank: #1885098 in Books
  • Published on: 2016-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x 1.00" w x 9.70" l, .0 pounds
  • Binding: Hardcover
  • 288 pages

About the Author

Marcus Milwright is a Professor in the Department of Art History and Visual Studies at the University of Victoria. He is author of An Introduction to Islamic Archaeology (Edinburgh University Press, 2010) and The Fortress of the Raven: Karak in the Middle Islamic Period (1100-1600) (2008).

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Genetic investigations and manipulations of bacteria and bacteriophage have made vital contributions to our basic understanding of living cells and to the development of molecular biology and biotechnology. This volume is a survey of the genetics of bacteria and their viruses, and it provides students with a comprehensive introduction to this rapidly changing subject. The book is written for upper level undergraduates and beginning graduate students, particularly those who have had an introductory genetics course. The fifth edition has been extensively revised to reflect recent advances in the field. The book now has a reader-friendly look, with end-of-chapter questions, 'Thinking Ahead' and 'Applications' boxes to challenge students’ comprehension and insights. A complete glossary of commonly used terms has been revised and expanded.

  • Sales Rank: #3891330 in eBooks
  • Published on: 2006-04-04
  • Released on: 2006-04-04
  • Format: Kindle eBook

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Senin, 18 November 2013

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Dog Algebra:  When Positive Reinforcement Fails To Solve The Problem, by Tammie Rogers

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Dog Algebra:  When Positive Reinforcement Fails To Solve The Problem, by Tammie Rogers

Sometimes things just don't add up.

Using positive reinforcement to train a dog can be a fun, rewarding, and successful endeavor.... until a cat saunters into the room. Offering food to redirect Buster’s attention away from Miss Kitty is often recommended, and as often it fails to diminish Buster’s fascination with felines.

When Cat = 100 and Hotdog = 4, there's little chance that the dog will simply take his focus off kitty, especially if he's not hungry.

In DOG ALGEBRA, Tammie Rogers solves the equation by offering a simple, straightforward, natural, and effective way to overcome training situations that positive reinforcement fails to resolve.

The common sense principles described in this book will help every dog owner develop a more trusting, confident, respectful, and enjoyable relationship with their canine companion.

DOG ALGEBRA is amazing, uncomplicated, winning advice all served up in a concise, easy to read book authored by a highly experienced educator of dogs and their people.

Solve for G where G = Good Dog!

Author of 4-H Guide: Dog Training & Dog Tricks (Voyageur Press, 2009) and T.E.A.C.H. Your Own Service Dog (www.Lulu.com, 2011), Rogers uses her 25 years of working with dogs and their people to continue her discussion on how to forge a happy, respectful and loyal partnership.

  • Sales Rank: #894816 in eBooks
  • Published on: 2012-09-30
  • Released on: 2012-09-30
  • Format: Kindle eBook

Most helpful customer reviews

5 of 6 people found the following review helpful.
A nice antidote
By Pooch Professor
Do you have a dog who loves to learn, and loves to be with you? Maybe he already knows some behaviors like "sit," "lie down," and "stay"? I get a lot of calls from potential clients who tell me that their dogs already know these commands. When I say, "will he lie down and stay outdoors, with other dogs playing nearby, or if a squirrel runs past?" There is usually a laugh on the other end of the line.

There are a lot of books that will tell you how to teach your pet dog the basic behaviors. Dog Algebra is not one of them. This book is for those who need some help stopping behaviors. It doesn't give step-by-step instructions on stopping certain behaviors, though. It teaches you why rewarding the dog for the right behavior is great for teaching some stuff, but will not help you stop unwanted behaviors. Yes, you can stop unwanted behaviors without being cruel or abusive, despite what many "trainers" these days will tell you.

Don't be put off by the comparison to math! Rogers does make that comparison, but in an easy-to-read way that won't send you to your kids' room for help. The ability to use logic is an underused skill these days, but the author explains herself pretty well. And frankly, if you want a well-trained dog and you have no real idea why some things work and others don't, explanations can be helpful.

If you are looking for the "why" more so than the "how," this book about what dog training is and what it isn't could be for you. A brief history of the author's search for logic, experiences training her own dogs, and the rise of clicker training are followed by a reasonable push for something that truly adds up: balance in dog training.

I'm a big believer in balance in all things. In dog training, it actually doesn't mean "things equally weighted," though. It means "giving the dog all the information it needs to be successful." All good dog trainers know that even balanced training is heavily weighted towards positive reinforcement--rewarding the good--during the teaching phase. But what distinguishes some trainers from others is what else besides positive reinforcement they are willing to use to communicate with the dog and improve his understanding. Because after the teaching phase comes the "proofing" phase, and that's where the validity of "only positive reinforcement" slips out the window.

Balanced trainers are willing to give more information to the dog. As Rogers explains, this need not be harsh or punitive if one approaches it correctly. Her explanations can be lengthy, but they do make sense. She wrote the book in part to counter the "positive is the only way, corrections are abuse" mantra that seems to be all the rage these days. She makes a nice argument, and it's worth the read.

4 of 5 people found the following review helpful.
I Highly Recommend It!
By Mike B-V
Tammie Rogers's book, Dog Algebra, should be on the top of your reading list when it comes to training dogs.

I have always tried to be open minded when learning anything. Especially when it involves dog training. Some trainers insist on positive only methods as though anything else doesn't work. I want a well trained dog.

I have learned that raising dogs has many parallels to raising children. I was raised by good parents who made it very clear to me what was acceptable behavior and what was not. My parents praised me but they also disciplined me.

Tammie's book offers solid reasons why a balanced method of training works. Positive reinforcement is a valuable and essential training method, in conjunction with other methods. It does not stand alone in training a dog. This is not a book that slams other methods of training. It is one that clearly explains all methods of training and why they work. It will help you build a foundation to successfully train a happy and obedient dog.

Tammie has a wonderful gift of explaining how and why a dog learns. With the information in this book, you will gain a common sense understanding of how a dog can learn to be a wonderful well behaved companion. I highly recommend it.

6 of 8 people found the following review helpful.
Dog Algebra
By Chuck
I've been training dogs for a "long time", and there is nothing here that is new or surprising to me. For someone new to dog training, there may be some insights that are new, however I'm certain there are many trainers today that would see this as a step backward. I don't feel Tammie has made any "great breakthroughs" in training here.

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Selasa, 12 November 2013

[H215.Ebook] Free PDF The Way We Get By: A Play, by Neil LaBute

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The Way We Get By: A Play, by Neil LaBute

Meet Beth and Doug: two people who have no problem getting dates with their partners of choice.

What they do have, however, is a very awkward encounter after spending one hot night together following a drunken wedding reception they attend. They wake up to a blurry morning where the rules of attraction, sex and society are waiting for them before their first cup of coffee, leading them to ponder how much they really know about each other and how much they really care about what other people think.

Slyly profound and irresistibly passionate, The Way We Get By is Neil LaBute's audacious tale of a very modern romance―a sharp, sexy, fresh look at love and lust and the whole damn thing.

  • Sales Rank: #332363 in Books
  • Published on: 2015-05-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .40" w x 5.40" l, .0 pounds
  • Binding: Paperback
  • 96 pages

About the Author
Neil LaBute's plays include bash, In a Forest, Dark and Deep, and Reasons to be Happy. His films include In the Company of Men, Your Friends and Neighbors, The Shape of Things, Obsession, Some Velvet Morning, and Dirty Weekend. He is a 2013 recipient of a Literature Award from the American Academy of Arts and Letters.

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2 of 3 people found the following review helpful.
LaBute Just Barely 'Gets By'
By J
I like Neil LaBute. Really, I do. While he's always been a bit overrated and has had to fight his tendency to be ‘shocking’ for shock’s sake, over the years he’s given us some great dialogue and more than his fair share of interesting stories. At this point his gifts can’t be denied.

Perhaps its because LaBute has been so prolific over the years that ‘The Way We Get By’ is yet another slight work which continues his overall slow descent into sub-par material (He seemed to be at the peak of his abilities circa 2001-2005).

'The Way We Get By' concerns two young twenty or thirty-somethings, Doug and Beth. We meet them as they emerge from a bedroom having shared a nightlong sexual encounter. As the two begin to navigate the tripwires of their morning after, we find that they have a shared history, and hearts full of feelings.

In the preface to the play, LaBute states that he set out to write a “flat-out romance and one that ends realistically but happily”. Couple that with the fact that he’s dedicated the play to “Those who love, regardless” and we can, more or less, see his intentions clearly.

While I suppose LaBute has met his goal of crafting a ‘flat-out’ romance, that doesn’t necessarily mean he has done so in an interesting way. While LaBute’s realistic and engrossing dialogue is fully intact here, everything about the play just seems as if LaBute is coasting. There’s no spark to the piece, it never feels as if its actually alive. I’m sure talented actors could easily improve upon it and make it come to a degree of life onstage (after all, plays are written to be performed), but the piece just doesn’t sustain itself. It simply takes too long to unfurl and yet once it does and its points have long been made, it continues to go on…and on. Also, this being LaBute territory, Doug and Beth’s sexual relationship involves a certain complication that some may see as ‘shocking’ but that all should instead simply see as ‘unnecessary’.

While LaBute is undeniably a talented playwright, let’s hope that he can find the fire in his gut again.

1 of 3 people found the following review helpful.
Five Stars
By Anne Marie Cummings
another great play by this author! i highly recommend reading this one, even if you've seen it!

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Minggu, 10 November 2013

[Y862.Ebook] Get Free Ebook Play Razz Poker To Win: New Strategies For Razz And Horse Poker Players That Are Proven To Work!, by Mitchell Cogert

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News! Play Razz Poker to Win has been chosen by PokerStars Intellipoker to educate players worldwide on how to win at Razz. Play Razz Poker to Win is the only book dedicated to Razz poker. It reveals new strategies that are based on probabilities, hand simulations and actual play. Discover: * A new starting hand point system * How to steal antes * New strategy for 4th street play * The best drawing hand is not always favored over a 9 low * The right way to play 5th street * Why 6th street is knowing the numbers 7-1. * When to call on 7th street. * Over 100 Razz poker hand examples Razz Poker may be the easiest way to win money at poker because it's the one poker game where the knowledge base is so small. It is played at both Razz poker tables and as the "R" in HORSE poker. Buy Play Razz Poker to Win today and you can get a winning edge in Razz. www.pokerazz.com

  • Sales Rank: #1838863 in Books
  • Brand: Brand: CreateSpace Independent Publishing Platform
  • Published on: 2008-02-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .30" w x 5.50" l, .35 pounds
  • Binding: Paperback
  • 130 pages
Features
  • Used Book in Good Condition

About the Author
Mitchell is the author of Tournament Poker: 101 Winning Moves, Play Razz Poker to Win and Tournament Poker for Donkeys (Kindle). His books are written for beginning and intermediate level poker player who want to improve their results and to do so faster than they thought possible.

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18 of 20 people found the following review helpful.
Nice introduction to the game
By Dennis Littrell
Famed poker theorist David Sklansky wrote a short book entitled "Sklansky on Razz" that was published in 1983. It is now out of print, although I understand it has been incorporated into "Sklansky on Poker" Second Edition, 1994. Aside from that book Mitchell Cogert's "Play Razz Poker to Win" (2008) is the only book ever published devoted exclusively to the game of razz.

This is not surprising since there are not that many people who play razz. However razz is the "R" component in "HORSE" (Hold'em, Omaha hilo, Razz, seven card Stud, stud Eight or better) which is the most prestigious poker competition at the annual World Series of Poker, a tournament that all the top poker pros would love to win because the winner can lay claim to being the best all-around poker player. Incidentally last year it cost $50,000 just to enter that tournament.

Having watched a bit of the WSOP competition on TV, and witnessed some curious play, I can say that even the top pros could use a little guidance in razz. Whether this book and Mr. Cogert can provide that guidance is the question. Cogert himself, while not a top pro, is an accomplished poker player who has placed in a number of tournaments and even won one, the Northern California Championship for no-limit hold'em in 2002. His book, while a bit on the thin side, offers a practical approach to the game which should be of value to most players. Whether it will be required reading for the entrants in this year's WSOP competition is unclear. I can assure you, however, that it will be discussed!

Probably the most interesting and debatable aspect of Cogert's guidance is his point count system for starting hands on third street. (p. 24) I have never seen a point count system for poker that is any more than a rough guide; yet even a rough guide is valuable as a learning device. Cogert's system is relatively sophisticated in that he not only gives points for the various three-card starting hands, he adds and subtracts points based on position, up cards, and whether the pot has been called or raised. The only problem with this (aside from whether his grasp of values is correct or not) is that it may take a while to memorize and implement the system.

Cogert gives tips on when to steal and when not to, how to play on the various streets with examples from his play at the $5 and $10 level on the Internet. He includes an index on some fifth street simulations, e.g., a made 9-6 low versus a 6-5 draw, etc., giving the winning percentages for each hand.

I am not going to presume to evaluate or second guess Cogert's recommendations on how to play since my experience at razz is modest. However I do want to question one bit of advice on a situation that comes up again and again in razz. You bring it in with 7-9 in the hole with a jack showing. Two players call, one with a 6 and the other with an 8. On fourth street, both players hit queens and you catch a 5. Cogert says not to bet "since your opponents will not fold. Wait to see what happens on fifth street." (p. 21)

What is curious about this bit of advice is that you have the best hand! Personally I would not want to let them draw for free. However--and this is one of the peculiarities of razz--even though you know you have the best hand, if you catch bad on fifth street and one or both of your opponents catches good, you are in trouble. A similar situation arises when you catch a king to go with your three-card 7- low on fourth street while your lone opponent pairs his door seven. Again you are in the lead, and again Cogert advises you to wait until fifth street to bet. He remarks, "if he hits good on fifth street and you hit bad, you have wasted a bet." (p. 37) If this happens you will have to fold since your opponent will have a one-card draw to a made hand while you will have a two-card draw to a similar hand with two cards to go.

However if you hit good and he hits bad, you have probably gained a bet! Furthermore, I must emphasize that in both examples, you are ahead. Consequently, over the long run as the cards that fall even out, you will gain by betting. And as a practical matter, the player that gives free cards, even supposing that mathematically he is not hurting himself, is easier to play against than the player who makes you pay. Psychologically, if people know you are going to make them pay the max on every card, they are going to avoid playing against you in marginal situations, which will mean better results for you.

Bottom line: if you play razz or HORSE this is definitely a book you will want to read if only for the reason that some of your opponents will be reading it. (And that goes for you, Phil Hellmuth!)

9 of 10 people found the following review helpful.
Uh Oh -Razz Players will know what they're doing now
By V. White
I didn't know what to think when I saw this book dedicated to Razz..happy there's a new book showing all the angles to win but also concerned that Razz is gaining in popularity, so much so that books are coming out on this subject alone! One of my best stategies before reading this, was winning by default...the other players at the table knew less how to play than I did.

Razz is sort of the opposite of poker (pairs are bad, low hand wins the pot, etc.) but like all poker games it still takes lots of patience. I really found this book to be key in giving me the confidence to take my time to know exactly what I'm doing. It gave my brain the poker re-training necessary to win.

I have to admit the author was right, it is the perfect time to break into Razz. Most players don't know the strategies and rules that were in this book (and it always helps when your opponents aren't as well versed). That's the winning edge that sort of makes Razz more addicting than frustrating. When I can't play it's become my favorite book to flip through to keep my mind sharp. I'm giving it 4 out 5 starts because I sort of hope you don't read it if I'm up against you next year at the WSOP! :)

9 of 9 people found the following review helpful.
Probably better for new players
By K. Matschke
I have been playing Razz for a few years now and have done pretty well at it. I was hoping this book would fill major holes in my game. After reading it, I can't say there was much I took away from it.

The most useful parts to me were the point system and who's the favorite in drawing hands vs. made 9 low hands after 5 cards. But I think I've already been playing close to these guidelines so it's not a huge help. A new player would likely find this very useful though to get a good idea of how good their first 3 cards need to be to play.

The author often emphasized the need to try to get heads up when you do play a hand, but basically didn't even address hands where you couldn't get heads up. I can only recall one example where the hand was 3-handed. All other examples were 2-handed, which is typically pretty straight forward how to play. 3 or more-handed is where it can really get tricky.

He also discussed the importance of live and dead cards relative to your starting hand, but rarely mentioned the need to remember or notice them once 4th street is dealt. This is actually one area I think I do need improvement myself and was hoping to get some insight on how this can affect how you play a hand on later streets, but it wasn't discussed. I think you can play later streets fairly straight forward, but would have expected dead cards to be a discussion in one of the advanced concepts sections.

If you're already a good Razz player, I would pass on this book, but if you're new to the game or you've played and haven't had any success I would recommend it. It's a very easy read (I finished it in 2 days) since it is rather short and there are a lot of example hands including illustrations which take up quite a bit of room.

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Selasa, 05 November 2013

[J240.Ebook] Free Ebook J.M. Coetzee and the Novel: Writing and Politics after Beckett (Oxford English Monographs), by Patrick Hayes

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J.M. Coetzee and the Novel: Writing and Politics after Beckett (Oxford English Monographs), by Patrick Hayes

'Anti-illusionism is, I suspect, only a marking of time, a phase of recuperation, in the history of the novel. The question is, what next?' (J.M. Coetzee)

This book argues that the significance of Coetzee's fiction lies in the acuity with which it both explores and develops the tradition of the novel - ranging from Cervantes, Defoe and Richardson, to Dostoevsky, Kafka and Beckett - as part of a sustained attempt to rethink the relationship between writing and politics. For Coetzee questions about the future of the novel are closely related to what it means to write after Beckett, and J.M. Coetzee and the Novel pays special attention to the ways in which his fiction discerningly assimilates different aspects of literary modernism to address the questions most fundamental to the experience of late twentieth-century politics.

While Coetzee is rightly known as an intensely serious writer, Patrick Hayes shows that the true seriousness of his writing is intimately bound up with comedy - or, to use the word Coetzee borrows from Joyce, the 'jocoserious'. Opening up a range of new approaches to this major contemporary author, J.M. Coetzee and the Novel argues that it is only by paying especially close attention to the experience of reading Coetzee's complex and finely-nuanced fiction that its distinctive and important impact on longstanding questions about identity, community, and the nature of political modernity can be appreciated.

  • Sales Rank: #6842208 in Books
  • Published on: 2010-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.70" h x 1.00" w x 8.60" l, 1.05 pounds
  • Binding: Hardcover
  • 276 pages

Review
an important contribution to Coetzee criticism. Mike Marais, Review of English Studies [An] invigorating exploration of the "jocoserious" within Coetzee's work Stephen Abell, Times Literary Supplement

About the Author

Patrick Hayes teaches modern literature from the eighteenth century to the present day at St John's College, Oxford.

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Senin, 04 November 2013

[D199.Ebook] Download Dream Catchers (Trade), by Tso

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Dream Catchers (Trade), by Tso

The Tsos recreate the Native American tradition of making dream catchers--hoops hung by the Ojibway Indians on their children's cradleboards to "catch" bad dreams. This book and kit includes all the materials children will need to make their own dream catchers, plus complete instructions. Full color.

  • Sales Rank: #213196 in Books
  • Published on: 1996-08-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 13.00" h x 8.00" w x 1.00" l, .0 pounds
  • Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
Smaller than expected
By April Lee
It was much small book than expected but still pleased.

4 of 4 people found the following review helpful.
Dream Catchers
By Sa Mc Culloch
Nice little book, though did say that materials would be provided, but they were not, apart from that it was easy to understand ...

3 of 3 people found the following review helpful.
Not as advertised
By CassieMae
Did a search for "making dreamcatchers" which resulted in a list of books, of which this was one.

Book description says "The Tsos recreate the Native American tradition of making dream catchers--hoops hung by the Ojibway Indians on their children's cradleboards to "catch" bad dreams. This book and kit includes all the materials children will need to make their own dream catchers, plus complete instructions. Full color"

I received a rinky-dink paperback pamphlet, no kit, no materials, no nothing. Be wary!!!

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Jumat, 01 November 2013

[O119.Ebook] Fee Download Photographing Women: 1,000 Poses, by Eliot Siegel

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Photographing Women: 1,000 Poses, by Eliot Siegel

The complete resource for any photographer seeking the best choice of po ses !

  • Features over 1,000 images especially selected to inspire you and help expand your creativity.
  • Photographs and poses are placed in context, explaining why they do (or sometimes don’t) work. A selection of poses features an accompanying lighting diagram, giving a clear understanding of how the photo was made.
  • Includes a variety of models shot using different lighting rigs, props, and settings–in the studio and on location–making this book suitable for commercial and editorial applications.
  • Discover the secrets of success behind professional photographers’ work, and learn how to get the best out of your models on a shoot.
  • PLUS a technical how-to section gives master classes in angles, lighting, styling, and more.
In this beautiful, yet extremely practical source book, fashion photographer Eliot Siegel embarks on an ambitious project to pull together 1,000 poses for photographing models. Designed to inspire photographers and models alike, the book's poses are organized by type including standing, sitting, reclining, crouching, kneeling, and dynamic poses, as well as head and shoulder shots and expressions. For selected images, Siegel includes a lighting diagram as well as a detailed explanation of how the image was made, but in every case he explains why a pose works, or why it doesn't.   

This image-packed reference also features iconic photography from prominent fashion photographers and includes a how-to chapter at the beginning of the book that provides a crash course on lighting, styling, props, and backgrounds—everything you need to know to make a woman look great, regardless of which of the 1,000 poses you wind up using.

  • Sales Rank: #496946 in Books
  • Published on: 2012-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.40" h x 1.10" w x 8.70" l,
  • Binding: Hardcover
  • 320 pages

About the Author
An American living in the UK, Eliot Siegel has been a professional fashion and portrait photographer for over 25 years. He has worked for a multitude of fashion magazines in New York, Milan, Paris, and London and has shot for Bloomingdales, Macy's NY, JC Penney's, Reebok, Nokia, and Motorola. Siegel lectures and gives workshops on fashion, portrait, and fine art photography at various colleges, and has been Associate Lecturer in Photography at Plymouth University in England. Eliot Siegel is also the author of Fashion Photography Course (Barron's).

Most helpful customer reviews

30 of 33 people found the following review helpful.
A wonderful answer for "Where do we go now?"
By Masa
There's an urban legend that the reason that Guns & Roses "Sweet Child of Mine" ends with the lyrics "Where Do We Go Now" was because Axl was asking a question, not because he was singing a lyric. He literally wanted to know "where do we go now?" and that ended up sticking as part of the song.

When shooting models, sooner or later, you will run into a "Where do we go now" moment. In many cases, the model will want clear instruction about what the vision is, where to stand and where to put her hands. The photographer will need to have a good set of ideas to blast past periods of when the imagination runs dry, and avoid the moment where nobody knows what to do next.

The classic way of doing a model shoot is to get the safe shots in the bag before experimenting. The problem with experimenting is that you can get stuck with a lot of stuff that's not working before getting back on track.

That's what makes this book great, by showing how to see how variations might lead to something you might not have thought about, and you can get your homework done before spending (wasting) time at the shoot. You can also start adding more "safe shots" to your bag of tricks by having the poses you want well thought out before hand.

The book is beautifully done, with a short technical section and a very extensive posing section.

The poses are organized by position, so it does make it very nice on how to get from one pose to another with a minimal amount of effort. It makes sense in terms of organization, but there are also downsides too as it may not lead to the best way to get a series of poses in mixed positions. Still, I am glad that it's organized by position, because I've seen plenty of posing books that were basically unusable because of how complex the organization was.

The second thing I'll note is that it's written for the photographer as the intended reader, not the model. Again, this is not a ding, but just thought I'd clarify that. The model can definitely pick up a lot of value out of this, but the text is aimed more towards the shooter.

The third thing, it would be nice if there were some way of communicating a series of poses to a model without flipping through the book itself. Would love a way to have an app that communicates just the poses I want to work on rather than pulling out the book and trying to explain the shot.

Great book overall, heartily recommend it. You can't go wrong having this on your shelf.

16 of 17 people found the following review helpful.
Kindle Version Formatting is Horrible!
By David Sutphin
The publisher evidently didn't bother (or care) about how this would look on a Kindle Fire so shame on them. Examples of what I'm referring to. Paragraphs with 1 word columns that go on for page after page.

Reading

text

like

this is

a pain

in the

rear

especially

when it

goes on

page

after

page

after

page.

Another example: Series of photos where the caption for one photo appears on the next page above (or below) the next photo. Depending on the aspect ratio of the photo, there are sometimes a caption above and below the photo with one being for a photo on a different page.

While the content itself is great, the total disregard by the publisher makes the Kindle version of this book almost useless.

16 of 17 people found the following review helpful.
finally a posing book worth it's money!
By Jackomo
There are many posing books out there, most - if not all - are useless to me. Generic poses, not much explained, unexciting photos.

This book is different. I love almost all the main photos in this book (subjective of course) and the variations shown with what to avoid and why are really helpful. Light diagrams add to the usefulness.

I don't think there's a pose not covered in this book. Keep it in your studio or bag (though it's heavy) and if you run out of steam during a shoot, open any random page and go from there.

The poses are more towards (high) fashion and maybe a bit of glam, not necessarily what you'd use to photograph grandmothers or female executives, everything is very stylish with sexy undertones.

Easy the best book I've seen on posing, and I've looked at quite some.

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