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The Sign of the Four (1890), also called The Sign of Four, is the second novel featuring Sherlock Holmes written by Sir Arthur Conan Doyle. Doyle wrote four novels and 56 stories starring the fictional detective.
The story is set in 1888. The Sign of the Four has a complex plot involving service in East India Company, India, the Indian Rebellion of 1857, a stolen treasure, and a secret pact among four convicts ("the Four" of the title) and two corrupt prison guards. It presents the detective's drug habit and humanizes him in a way that had not been done in the preceding novel, A Study in Scarlet (1887). It also introduces Doctor Watson's future wife, Mary Morstan.

• Sales Rank: #1287933 in eBooks
• Published on: 2015-10-26
• Released on: 2015-10-26
• Format: Kindle eBook

Review
Of all the Holmes stories it is The Sign of Four which remains persistently in my memory. --Graham Greene

Sherlock Holmes is the very foundation stone of the edifice that is crime fiction. --Times

[Holmes] is probably the only literary creation since the creations of Dickens which has really passed into the life and language of the people. --G. K. Chesterton

From the Publisher
"Barker adapts character voices adroitly, showing an especially uncanny ear for stuffed-shirt aristocrats."

From the Back Cover

Arthur Conan Doyle’s second Sherlock Holmes novel is both a detective story and an imperial romance. Ostensibly the story of Mary Morstan, a beautiful young woman enlisting the help of Holmes to find her vanished father and solve the mystery of her receipt of a perfect pearl on the same date each year, it gradually uncovers a tale of treachery and human greed. The action audaciously ranges from penal settlements on the Andaman Islands to the suburban comfort of South London, and from the opium-fuelled violence of Agra Fort during the Indian ‘Mutiny’ to the cocaine-induced contemplation of Holmes’ own Baker Street.

This Broadview Edition places Doyle’s tale in the cultural, political, and social contexts of late nineteenth-century colonialism and imperialism. The appendices provide a wealth of relevant extracts from hard-to-find sources, including official reports, memoirs, newspaper editorials, and anthropological studies.

Most helpful customer reviews

45 of 47 people found the following review helpful.
Oh my gosh....AMAZING
By A Customer
What starts out as a small meeting with an unknown man turns into a murder mystery for Sherlock Holmes. I don't like to spoil endings, but let me say this: if you think the book is boring at first, don't stop reading: there is a TON of action towards the end.

48 of 51 people found the following review helpful.
Mixed quality-- But some excellent stories can be found.
By Patrick J. Callahan
I purchased this book in part on the strength of three 5-star reviews on this site. This is a very handsome hardcover volume at a surprisingly reasonable price.
There are three classifications of stories in the book. First, stories primarily written by Adrian Conan Doyle, with some input from JD Carr. Second, two stories written almost entirely by Mr. Carr, possibly with some slight input from Doyle. Third, six stories written solely by Mr. Adrian Doyle.
Since I have read a number of mysteries by Carr, and expected much, I was most disappointed to find his two stories the weakest in the book. In one instance, after reading the first page I was able to anticipate the entire plot. In the other case, I simply found the story flat, uninteresting, and narrowly derivative of similar stories in the original Holmes canon.
To the contrary, some of the stories by Mr. Doyle cannot be praised enough. One that's typical, "The Adventure of Foulkes Rath," seems up to the work of Arthur Conan Doyle himself. All in all, Adrian Doyle admirably captures the style and brooding Gothic tone that so typifies many of the best stories in the original Holmes canon. Moreover, Adrian Doyle's stories have a kind of life and warmth that brings the Edwardian world alive for the reader.
I would give the book five stars were it not for a few tales that seem off the pace, and decidedly inferior to the others. Alas-- and surprisingly-- these are from JD Carr's pen. Perhaps Carr tried too diligently to write an impeccably logical mystery, where nothing in the denoument was not well provided for in the early story. The effect, unfortunately, was to create a mechanical kind of plot, which made it all to easy for the reader to anticipate too accurately the entire unfolding of the story.
So in this interesting and generally worthwhile book of tales, we might have the amateur outwriting the old master.
All in all, a worthwhile purchase -- and handsome book with great bedtime reading at a very reasonable price.

36 of 38 people found the following review helpful.
The best post-ACD collection of Holmes short stories.
By John S. Ryan
Patrick Callahan's excellent review is right on the money, but I'm giving this little book four stars anyway just because, when it's good, it's _very_ good. Some of the stories contained herein -- based on Watson's occasional references to unrecorded (not "unsolved", as the current edition's subtitle incorrectly has it) cases -- surpass some of the elder Doyle's later works. Highly recommended, especially as an antidote to the surfeit of "pastiches" that can't seem to get any of the details right.

Adrian Conan Doyle (with or without John Dickson Carr) tells a straight no-frills tale very much in the spirit of the Sherlockian canon; Holmes doesn't wind up getting married, Watson doesn't turn out to be the real Holmes, et cetera, et cetera. And there are no attempts to link Holmes to fabulous ripped-from-the-headlines figures like Dracula or Jack the Ripper -- these are perfectly ordinary cases of the kind in which Holmes himself was known to delight for their own sake owing to their touch of the _outre_ and the singular features they presented to the reasoner. Solid stuff despite the weaknesses of a few of the tales.

If you want a couple of novel-length pastiches to go with it, I recommend Nicholas Meyer's first two: _The Seven Per Cent Solution_ and _The West End Horror_.

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Anthropology at the Front Lines of Gender-Based Violence is a broad and accessible volume, with a truly global approach to understanding the lives of front-line workers in women's shelters, anti-violence organizations, and outreach groups. Often written from a first-person perspective, these essays examine government workers, volunteers, and nongovernmental organization employees to present a vital picture of practical approaches to combating gender-based violence.

• Sales Rank: #1949346 in Books
• Brand: Brand: Vanderbilt University Press
• Published on: 2011-08-22
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .80" w x 5.90" l, .85 pounds
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

Review
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""The editors' innovative ethnographic focus on front-line workers makes a significant contribution to the multidisciplinary and interdisciplinary field of gender-based violence studies."
--Madelaine Adelman, Arizona State University

"Above all else, this work's greatest value will come from bringing together into one volume professional/applied and scholarly/theoretical currents that are too often unaware of, much less actively engaging, one another. The writing is approachable, the cases and analysis compelling, and the political commitment unmistakable."
--Sarah Hautzinger, author of Violence in the City of Women

"This volume will appeal to scholars and practitioners who write and teach about gender-based violence."
--Mindie Lazarus-Black, Temple University, author of Everyday Harm

From the Inside Flap
The inside stories of workers struggling to counter violence

About the Author
Jennifer R. Wies is Assistant Professor of Anthropology at Eastern Kentucky University.

Hillary J. Haldane is Assistant Professor of Anthropology at Quinnipiac University.

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[W893.Ebook] Get Free Ebook The Bathhouse at Midnight: An Historical Survey of Magic and Divination in Russia (Magic in History), by W. F. Ryan

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The title of this book refers to the classic time and place for magic, witchcraft, and divination in Russia. The Bathhouse at Midnight, by one of the world's foremost experts on the subject, surveys all forms of magic, both learned and popular, in Russia from the fifth to the eighteenth century. While no book on the subject could be exhaustive, The Bathhouse at Midnight does describe and assess all the literary sources of magic, witchcraft, astrology, alchemy, and divination from Kiev Rus and Imperial Russia, and to some extent Ukraine and Belorussia. Where possible, Ryan identifies the sources of the texts (usually Greek, Arabic, or West European) and makes parallels to other cultures, ranging from classical antiquity to Finnic. He finds that Russia shares most of its magic and divination with the rest of Europe.

Subjects covered include the Evil Eye, the Number of the Beast, omens, dreams, talismans and amulets, plants, gemstones, and other materials thought to possess magic properties. The first chapter gives a historical overview, and the final chapter summarizes the political, religious, and legal aspects of the history of magic in Russia. The author also provides translations of some key texts.

The Bathhouse at Midnight will be invaluable for anyone—student, teacher, or general reader—with an interest in Russia, magic, or the occult. It is unique in its field and is set to become the definitive study of Russian magic.

• Sales Rank: #1275091 in Books
• Published on: 1999-06-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.50" w x 6.00" l, 1.62 pounds
• Binding: Paperback
• 512 pages

Review

“A work of encyclopedic proportions, The Bathhouse at Midnight is sure to be the standard reference on Russian magic for years to come. For being essentially a catalogue, the book reads very smoothly. . . . Thus, this book can be read from cover to cover or, with the detailed table of contents and the index, it can be used to look up a particular phenomenon or beliefs. It will make a fine textbook, and for mature scholars, this is not only a valuable reference tool, but piece of scholarship very much worth emulating.”

—Natalie Kononenko, Russian Review

“William Ryan’s ambitious volume attempts a comprehensive survey of manifestations of magic throughout Russian history. . . . The result is a veritable encyclopedia of magical phenomena and beliefs, drawn from an extensive range of sources, but particularly from medieval texts and ethnographic data collected in the nineteenth century. . . . Ryan’s book is a tour de force. It is likely to remain the fundamental reference work on magic in Russia for generations to come.”

—Eve Levin, Slavic Review

“The Bathhouse at Midnight is an excellent study and source book of Russian supernatural and magical beliefs that should be read by anyone working with Russian supernatural belief, with the comparative study of belief—whether Slavic, European, or Indo-European—or with Christian folk religion.”

—David E. Gay, Journal of Folklore Research

“Ryan’s master work now provides a thorough, well-documented survey of an extremely rich and fascinating area and constitutes an invitation to any serious student of magic and its practice to consider entering this previously uncharted territory.”

—Bruce McClelland, History of Religions

“The breath of its grasp, the depth of its treatment of specific subjects, and the good judgment and erudition Ryan displays throughout make it an essential reference book for Slavists and folklorists.”

—Linda Ivantis, Folklorica

“All in all, Ryan’s book is a marvelous contribution to Slavic studies. It is great fun to read as well.”

—Linda Ivantis, Folklorica

“The Bathhouse at Midnight remains, nonetheless, an outstanding compilation of magic and its associated beliefs in Russia, as well as their relations to Western forms.”

—Jennifer B. Spock, The Historian

About the Author

W. F. Ryan is academic librarian of the Warburg Institute at the University of London, School of Advanced Studies. He has published widely on the subject of magic in Russia and is co-author of the Penguin Russian Dictionary (1995) and co-editor of numerous scholarly books, including Anglo-Russian Relations in the Age of Peter the Great (1998).

Most helpful customer reviews

11 of 11 people found the following review helpful.
Great resource for Slavic Magic
By LizDS
This is THE book of Slavic magic.

I just used this book as the main source for my thesis on magic and folk custom in Russia. Out of all the books I researched this one has, by far, the most information in a very well laid out format. Most of Ryan's sources are primary texts and are well recorded if you ever want to do further study.

It's also a great source for anyone who just wants to learn more about the magical side of Slavic culture. And I found it very easy to read.

3 of 3 people found the following review helpful.
Magic in Russia
By Eric S. Kim
Reading Russian non-fiction hasn't been this entertaining. This book by W.F. Ryan is ultimate choice for learning about Slavic magic. It has almost everything: origin of magic, Western European influence (both in and out), photos of Slavic ornaments, descriptions of divinatory ways of life, and cited sources. The only flaws I can find are repeated words throughout. Examples: ". . . sleeping like like a lion . . ." or ". . . there would would have been . . ." though many are not really distractive. All in all, this is the ultimate non-fiction book about Slavic (mainly Russian) magic. A-

3 of 6 people found the following review helpful.
Critical stance before magic beliefs
By César González Rouco
Would you eat potatoes if you believed that they grow out of the anus and genitals of a dead oriental magician? Do you want to know what anyone is thinking? There is a way by using peas and snakes. "If a madman is touched by a diamond he will be cured of his malady" (good to cure your mad relatives, although perhaps out or reach for much of the common folk). Do you laugh at it? Russian have believed that way for centuries, and similar beliefs have been shared (do not use the past tense!) by the other European -and American- people too.

All this and more is compiled in a very orderly way by the author, in a masterful work that can be savoured by the professional historian and educated layperson alike. Besides, the book is not a difficult reading (content: 5 starts; pleasure of reading: 4 to 3).

(...)

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• Sales Rank: #8879566 in Books
• Published on: 2001
• Binding: Hardcover

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[E728.Ebook] Download PDF Collaborative Circles: Friendship Dynamics and Creative Work, by Michael P. Farrell

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Many artists, writers, and other creative people do their best work when collaborating within a circle of like-minded friends. In a unique study, Michael P. Farrell looks at the group dynamics in six collaborative circles, and gives vivid narrative accounts of each: the French Impressionists; Sigmund Freud and his friends; C. S. Lewis, J. R. R. Tolkien, and the Inklings; social reformers Elizabeth Cady Stanton and Susan B. Anthony; the Fugitive poets; and the writers Joseph Conrad and Ford Maddox Ford.

• Sales Rank: #1147058 in Books
• Published on: 2003-11-01
• Released on: 2001-09-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, 1.08 pounds
• Binding: Paperback
• 328 pages

From the Inside Flap
Creative work is rarely done by a lone genius. Artists, writers, scientists and other professionals often do their most creative work when collaborating within a circle of like-minded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Working alone or in pairs, then meeting as a group to discuss their emerging ideas, they forge a new, shared vision that guides their work. When circles work well, the unusual interactions that occur in them draw out creativity in each of the members.

In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud and his friends; C. S. Lewis, J. R. R. Tolkien, and the Inklings; social reformers Elizabeth Cady Stanton, Susan B. Anthony, and the "Ultras" in the women's movement; the Fugitive poets; and the writers Joseph Conrad, Ford Maddox Ford, and their friends. Farrell presents vivid narrative accounts of the development of each circle and the roles each member played. He considers how circles form; how the leadership, group rituals, and interpersonal relations change as circles develop; how the dynamics of circles stimulate creative work; and why some circles flourish while others flounder.

About the Author
Michael P. Farrell is a professor of sociology at the State University of New York at Buffalo. He is the coauthor of Small Groups Episodes and Men at Midlife.

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